CHALO HAMARA DES

CHALO HAMARA DES

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Come to My Country
Journeys with Kabir and Friends


A film by #ShabnamVirmani
Language: Hindi, Malwi & English with English Subtitles
Duration: 98 min

About the Film: A journey in search of the des (country) invoked in the poetry of the 15th century mystic poet of north India – Kabir – this film interweaves the stories of two people from two very different countries, Indian folk singer Prahlad Tipanya and North American scholar Linda Hess. Where is Kabir’s country? The answer is elusive, as we journey through song and poem into these two lives, brought together in an unlikely friendship by the cross-cultural resonance of Kabir

About the Filmmaker: Shabnam Virmani, is a documentary film maker and artist in residence at the Srishti School of Art, Design and Technology in Bangalore since 2002.Co-founder of the Drishti Media Arts and Human Rights collective, she has directed several documentaries in close partnership with grassroots women’s groups in the country (When Women Unite and Tu Zinda Hai, Bol series among others) and also co-directed an award-winning community radio program with the Kutch Mahila Vikas Sangathan in Gujarat. Virmani began her career as a sub-editor in The Times of India in Jaipur in 1987. A few months later she made journalistic history when she filed the Sati story on what happened in Deorala village, Rajasthan. The next year she won a scholarship to do a Masters degree in Development Communication at the Cornell University, United States. She tried her hand at filmmaking there and her 20-minute student film"Have a Nice Day," was a personal narrative of her alienation, as an Indian student trying to come to terms with North American culture. Shabnam Virmani is the director of the Kabir Project. Started in 2003, the Kabir project brings together the experiences of a series of journeys in quest of this 15th century mystic poet in our contemporary worlds. It consists of documentary films, 2 folk music videos and 10 music CDs accompanied by books of the poetry in translation. The filmsjourney into contemporary spaces touched by his music and poetry. In her films, Shabnam juxtaposes the urban and the rural, the Indian and the foreign, the classical and the folk, and the secular and the sacred, in their many approaches to Kabir and the search for a universal voice.